Last week I wrote about the need for aesthetic diversity in a city and gave an example of old and new architecture mixing in a Salt Lake neighborhood. One curious example of this phenomenon that’s playing out right now in Provo is the Central Bank remodel on the corner of University Ave and 100 North.
As of about a week ago, this is what it looked like:
The interesting thing about this project is that it’s taking a hodgepodge of older buildings and uniting them with one single facade. My impression is that reaction in the community to this project is positive, though I know a number of people who lament the fact that the modern building on the corner will become something less firmly rooted in any particular architectural style.
I’m grateful that Central Bank is investing in the community, though I also wonder at the faux-historical final product. The great thing about downtown Provo, or most genuinely interesting places, is that they’re not knockoffs or replicas of something else, historical or otherwise. That’s why downtown Provo is better than, say, “lifestyle” suburbs like Daybreak that merely imitate an organic city. It’s why visiting Paris or New Orleans is vastly more rewarding, to say the least, than going to Las Vegas or Disneyland, respectively.
All of this is to say that perhaps we should more critically consider the wisdom of mixing pseudo-historical buildings into actually-old architecture that embodies our heritage. The Central Bank project — which is not terrible by any means and may be quite nice in the end — offers an occasion to reflect on whether or not we want our city to be a living, evolving record of each generation’s greatest works, or a generic version of the past that could have been built anywhere.